A Midsummer Night’s Dream

by William Shakespeare

July 18-28, 2024 at Under St. Marks Theatre

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WELCOME TO THESE WOODS

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In most productions of the Dream, Oberon tricks Titania into handing over a nameless “Indian changeling” born of a nameless Indian woman. Most productions accept what Shakespeare — a 16th-century, Christian, European playwright who based Midsummer on texts like The Metamorphoses, The Canterbury Tales, and Corinthians — decreed for the boy. 

In directing this play with self-respect in 2024, I chose to reimagine the presence and significance of the  boy and his mother. This led to my reimagining of the forest, which in this production is a traveling entity, untethered in space, tinged by whatever preoccupies the fairy king and queen at the moment — here, their memories and emotional (and in Titania’s case, physical) souvenirs of their recent travels and friendships in India.

Some music, movement, dance and costuming in tonight’s forest are inspired by South Asian classical arts and culture. We have our own analogues to Puck, Cupid, even plays about lovers lost in the forest (some of which predate Midsummer by centuries). The Sanskrit terms maya (illusion) and leela (cosmic play) inform our vision of “magic,” which imagines the universe as an intelligent, gaily comedic force always sporting with you, always replacing your rigid plans and illusions of control with rich and unforetold possibilities in love and life. 

This forest is always in motion. From July 18-28 the royalty of the forest contemplate India, but it may next relocate to wherever their attention and desires rove next: to our Hermia’s Peru, to our Quince’s Melbourne, to the Arctic Circle where our Titania recently spent time. Understanding the forest less as a coordinate on a map — and more as a state of mind where countless memories, impressions, and urges rustle through the trees — for me captures how a culture of origin slips in and out of consciousness, sometimes front and center, sometimes submerged as new currents of life and experience and influence take over.

My South Asian background shapes tonight’s forest, but so do my love of sketch and physical comedy, Western classical music (both Western and Eastern winds pervade the show, including the hapless toot of Peter Quince’s recorder), sitcoms and romcoms, ‘80s aerobics, ‘90s teen dramas, the dumbest action movies, carrot-topped Anxiety from Inside Out 2, and the fecklessness of animation in general. This “forest” reminds me that no one culture can claim or delimit us; each of us inhabits a boundless self, far larger and more complex than others — or we — would admit. 

Sometimes, like Titania or Hermia, I hear reminders of promises I was supposed to keep, to people with whom I’ve lost connection. Sometimes, like our lovers, I recall rules and laws I followed back in “Athens” (the more rigid chapters in my life) and seek deeper freedom. Like Peter Quince, I have always longed to direct a play; like BOTTOM!, I have doubted my right to do it. Like all of our couples, I have been confounded in love; I have both loved donkeys and been donkeyfied by the madness of love. Finally, our traveling forest and its inhabitants —  a collective of Black, Asian, Latin, white, immigrant and LGBTQ+ actors reflective of New York City in 2024 — celebrates not only origins, but the immense range of creative influences, friendships, and energies collected and incorporated by all immigrants through space and time. 

In this production, our Indian boy and his mother have names. Our Indian woman is named Jeevika, after our classical choreographer Jeevika Bhat, who plays Philostrate (and others). The unseen boy is Subramanian — after the son of the divine mythological couple Shiva and Parvati, and after my late grandfather, a self-taught lover of literature, who gifted me my first complete Shakespeare. The real Subramanian’s old flannel is worn by Francis Flute in the show, and his personal notebook, charting his reading from Shakespeare to the Greeks, is carried by Peter Quince as the almanac which tracks the phases of the moon. 

We are all wanderers in the end, carrying our own portable forest inside us. It contains everything we have not examined or thought about — our dreams, our memories, our forgotten things, our hopes for redemption and reconciliation in everyday life. Our latent artistry like BOTTOM!’s, and our hidden tenderness like Demetrius’s or Oberon’s. Some call it the nervous system, some call it the subconscious mind, your dream world, or all three. It is where your hidden, unrealized, remembered, emerging and even illicit selves live and seek expression.

What lies in yours?

~Janani

Cast

  • Neha Arjunji (Dance Swing)

    Neha Arjunji is a writer, actor, and dancer with experience across several western and Indian dance styles. She currently trains in theatre and film/TV at The Barrow Group. Past favorite credits include The Gunner Games and Avengers Civil Ward with Duke University Medical School’s parody show troupe. She is thrilled to be a part of her first NYC production!

  • Jeevika Bhat (Philostrate/Various)

    Jeevika Bhat (she/her) is a dancer and choreographer who explores the confluence of her cultures through a contemporary Indian medium. Her background is in Odissi, an East Indian classical dance form known for its nuanced storytelling and graceful fluidity. She has been learning under the guidance of Guru Jyoti Rout for the past two decades, and is now a teacher and choreographer with her dance company, Jyoti Kala Mandir. Academically, she is a graduate of UC San Diego, where she earned a B.S. in Mathematics with minors in Linguistics and Dance, and UC Irvine, where she earned an M.F.A. in Dance. IG: @jeevika.bhat

  • Isabel Criado (Hermia)

    Isabel Criado (she/her) is a Peruvian/Spanish multidisciplinary artist who wants to tell diverse stories that voice the experiences of multicultural immigrants. Most recent credits include Viola in Prague Shakespeare Company’s production of Twelfth Night. Isabel is currently pursuing a B.F.A. in Drama with a concentration on acting, and has been part of productions such as Let Flow the Blood of the Weak, Screen Door, and various musicals. She was AD for Federica Borlenghi’s new play Until Dark, produced by Et Alia Theatre. Her play You, Mimi and Me was presented at New York’s 2023 WinterFest, and she is part of National Queer Theatre’s Criminal Queerness Playwriting Studio. She is so incredibly grateful she’s able to bring Hermia into life at St. Marks! IG: @isabelcriadob

  • Madeleine Day (Snug/Moth)

    Madeleine Day (she/her) is a New York City-based actress and a current student at New York University’s Tisch School of the Arts, training in the Experimental Theatre Wing. Some of Madeleine’s past credits include Once Upon a Mattress (Princess Winnifred), Peter and the Starcatcher (Molly Aster), and Grease (Rizzo). Madeleine is thrilled to explore Shakespeare’s magical world in this Midsummer Night’s Dream production and is so grateful to be doing her first show in the city with this wonderful group. She would like to thank her family, specifically her parents, for believing in her dream just as much as she does. Enjoy the show! IG: @madeleinedayy

  • Kade De Angioletti (Lysander)

    Kade De Angioletti (he/him) is a trans actor and musician who is thrilled to make his NY theatrical debut at Under St. Marks! Kade is a graduate of Rockford University, where he studied Musical Theatre and Collaborative Piano. Additionally, he completed courses at the Royal Academy of Dramatic Arts and Second City Chicago. Kade has worked as a pit musician, church pianist, music director, and accompanist — most notably with Camp Arena Stage in Washington, D.C. He would like to thank Moss and the Gowanus Salon for their unwavering belief in his art and humanity. He would also like to thank Janani for entrusting him with this opportunity. IG: @kdeangioletti

    TV: The Equalizer (S4 E7); Short Film: Mars in Motion, Slow Healing, Amusement Park: “The Coastal Currents”; Keyboardist/Vocalist (Dorney Park;) Theatre: Urinetown, The Importance of Being Earnest, Legally Blonde, The Laramie Project

  • Rob Gaetano (Peter Quince/Egeus)

    Rob Gaetano is a native Australian who now resides in New York City. He is a graduate of the National Theatre Drama School in Melbourne, Australia and The William Esper Studio in New York. He is currently the Associate Producer/Associate Director of the North American tour of Bluey’s Big Play. Other directing credits include SHIVA for Rose and Bean Productions, and the short film That’s Messed Up (1st AD). His award-winning one man show My Pet, My Love has toured the world. Premiering at Melbourne's Midsumma Festival, it then toured to New Zealand Fringe, Edinburgh Festival Fringe and United Solo Theater Festival in New York City. Notable acting credits include Speechless (National Queer Theatre), Abigail/1902 (Boutique Theatre), As You Like It (Spark Theatre Company), Kiss Me Like You Mean It (MARC Up Productions), and I Wish You a Boat (Ward Theatre Company). IG: @rob_tano Website: robgaetano.com

  • Genesis Taina Luciano (Starveling/Cobweb)

    Genesis Taina Luciano is a born and bred Nuyorican actor, choreographer/dancer, and an aspiring writer and filmmaker. Genesis is over the moon about joining this production in the role of Starveling/The Moon. As a recent graduate of Alfred University with a B.A. in Theatre and minors in Dance and Film Studies this performer is thrilled to put those degrees to work. Past works with Shakespeare include Macbeth (Lady Macbeth), and The Merry Wives of Windsor (Mistress Page). Currently Genesis is taping a sitcom pilot episode, Greenhand. Previous theatrical productions include Rich B*tch as Dani (leading), Annie Jump and the Library of Heaven as Althea (leading), and Narrator in Department Story with Big Telly Theater. Genesis is a recipient of the 2023 Bill Pullman Award, an award is given to an outstanding student who has shown leadership and commitment to Social Justice practices in Theatre. IG: @genesis.taina

  • Debra Nguyen (Flute/Peaseblossom)

    Debra Nguyen (she/her) is based in Brooklyn, NY and is excited to be a part of Shakespeare’s A Midsummer Night’s Dream at FRIGID. Past highlighted credits include Shakespeare Workshoppe’s The Trojan Women, Stupid F*cking Bird, Skin of Our Teeth, and Antigone with Wombat Theatre Co. Shakespeare credits include Macbeth with Zoom Theatre and Much Ado and Pericles in repertory with Hip to Hip Theatre Company. Some film credits include Soul’s Call, To Eat, or Not to Eat, and MilkyWay as well as web series Ground’s Crew. She has studied Shakespeare with Page Clements at the T. Schreiber Studio, and acting with Patrick Quagliano at Stella Adler and Nick Trotta at Atlantic Theater. IG: @deeeenggg Website: debranguyen.com

  • Alyssa Poon (PUCK!)

    Alyssa Poon (she/her) is an audiobook narrator most of the time, an actress the rest of the time, and a costume designer wherever she can fit it in. Her favorite credits include performing in Drunk Shakespeare, voice acting in the upcoming season of Totally Spies!, and winning Best Costume Design from both the American Filmatic Arts Awards (2021) and North Europe International Film Festival (2022) for her work on Caprices with the Evening Crane Theatre. Latest audiobook series include Radley’s Home for Horny Monsters and Solar Dragons Need Love, Too!, both available on Audible. When she isn’t working on her myriad of professional passions, she can be found picking up new fiber art hobbies, min-maxing various video games, and tending to her numerous plants. Shoutout to NYU Tisch for the BFA! Website: alyssapoon.com

  • Austin Blake Sasser (Oberon/Theseus)

    Austin Blake Sasser is currently an NYC-based actor. Some credits include Titus Andronicus, Pass Over, Polaroid Stories, As You Like It, and Ragtime! He made the big move to NYC in 2021 for attendance at The Atlantic Acting School’s full time conservatory which he graduated from this past fall. He would like to thank all his loved ones for helping him get to this point. He is very happy to get the privilege of performing for you all, and hope you enjoy the show! And with that being said….IIITTSS SHOWTIIIIIME!!!! IG: @theeaustinsasser Website: austin-blake-sasser.com

  • Dillon Siry (Demetrius)

    Dillon Siry is an actor and comedian originally from San Diego, California. He recently graduated from NYU Tisch with a B.F.A. in Drama. Dillon was classically trained at the Stella Adler Studio of Acting and received additional film and TV training at Stonestreet Studios. Some of his previous roles in Shakespeare’s plays have been Borachio (Much Ado About Nothing) and Malcolm (Macbeth), and he is happy to be reprising the role of Demetrius. When he’s not acting on stage, you can find him improvising with NYU’s premier improv group, Pasadena Golf Club. Dillon’s greatest joy is making people laugh. IG: dillon_siry

  • Amora Sun (Titania/Hippolyta)

    Amora Sun (they/she) performed as U/S Gwendolen last year in The Importance of Being Earnest, beginning her long awaited NYC acting career after slaying the role of Clown in All’s Well That Ends Well with the Shawnigan Players back in Canada. They are a working member of the Urban Playwrights Club in Calgary, Alberta. After over 10 years of writing, performing, directing and overall wizarding live theatre, music, film and improv in Vancouver, BC, Amora starts her second graduate degree this Fall at the Berklee NYC College of Music for a Master of Creative Technology for Musical Theater Writing and Design (Class of 2025). Amora is also proud to be utilizing her first graduate degree in shrinking psychology to help the good people of New York via a new podcast, Saturday Night Shrinking. Amora is a voice performer studying with the Juilliard Extension program and privately with Kurt Alakulppi and will be focusing on writing new musicals featuring complex themes of human empathy, ethical conundrums and moral resurrection in her work at Berklee. Tune into her various exploits via her IG: @wecolorblush

  • McKenna Twedt (Helena)

    McKenna (she/they) is an actor, costume designer, and producer from Portland, Oregon. A graduate of Western Oregon University with B.F.A.s in acting and costume design, McKenna is committed to producing rarely seen or new works created by artists from across the human spectrum. McKenna currently works as a background actor for film and television as well as volunteers their time as a reader and theatrical production consultant. McKenna has worked with several Oregon companies including Third Rail Repertory Theatre, CoHo Productions, Theatre Vertigo and Ashland New Plays Festival, as well as their Off Broadway debut with the Rogue Theater Festival. IG: @mckennatwedt

  • Camille van Putten (BOTTOM!)

    Camille van Putten is overjoyed to be making her New York debut in the same show that welcomed her back to the theater after she took her first break from acting. Cami moved to NYC in 2021, fulfilling a childhood dream despite over a decade of being intimidated by the high rent prices. She studied Theater at Dartmouth College and completed the 2-year Professional Conservatory Program at the Stella Adler Studio’s sister school in Los Angeles, The Art of Acting Studio. Past roles include Viola in Twelfth Night, Beth in Little Women, and Claudia in The Bluest Eye. Cami is excited to see what show will call her back to the stage next time. IG: @camilleofputten

  • Maren Westgard (Snout/Mustardseed)

    Maren is an actress and choreographer based in New York City. She recently graduated from Wesleyan University with a B.A. in Dance, where she participated in many productions both as an actor and a dancer. Since graduating, she has performed with Stag & Lion Theater, Street Macbeth, the Gene Frankel Theater Festival, and Open Hydrant Theater Company, as well as danced for Hari Krishnan’s Lecture Demonstration of Bharatanatyam. Maren is currently a student in the Day Conservatory at the Stella Adler Studio of Acting. IG: @marenwestgard

Creative Team

  • Jeevika Bhat (Indian Classical Choreographer)

    Jeevika Bhat (she/her) is a dancer and choreographer who explores the confluence of her cultures through a contemporary Indian medium. Her background is in Odissi, an East Indian classical dance form known for its nuanced storytelling and graceful fluidity. She has been learning under the guidance of Guru Jyoti Rout for the past two decades, and is now a teacher and choreographer with her dance company, Jyoti Kala Mandir. Academically, she is a graduate of UC San Diego, where she earned a B.S. in Mathematics with minors in Linguistics and Dance, and UC Irvine, where she earned an M.F.A. in Dance. IG: @jeevika.bhat

  • Fiona Hansen (Stage Management/Tech)

    Fiona Hansen is a Brooklyn-based technician, writer, and occasional performer from Groveport, Ohio. They have worked at the NYC Fringe Festival as well as Dixon Place as a technical intern. Fiona also serves as a member of Flux Theatre Ensemble's Second Circle board. Their work includes The Importance of Being Earnest directed by Janani Sreenivasan (Stage Manager), Metra by the Hartfords (Stage Manager), The Portal Project by Flux Theatre Ensemble (Writer, Performer), Television by Cameron Bossert (Assistant Stage Manager), The Church of the Holy Abortion by Emily Davis (Stage Manager), Harmony Hall by Duncan Pflaster (Stage Manager), as well as the online international theatre festival Our New Gold (Writer, Director, Co-founder.) They are excited to be a part of this project and hopes everyone breaks a leg! IG: @fionahandsoap

  • Olivia Kormos (Intimacy & Fight Direction)

    Olivia (she/her) is a NYC-based intimacy professional working across theater and film. She’s thrilled to be working with Janani again after The Importance of Being Earnest last fall! Additional credits include Harmony Hall (Frigid Fringe), Tell Your Mom I Miss Her! (The Tank), SENDER (Playwrights Horizons Theater School), Heathers (Broad Street Players); Film: Chapped Lips, Heartstrings, Ludus in Ashes, My Best Friend's Boyfriend is a Vampire. Olivia has trained with Theatrical Intimacy Education and works in art history content development outside of theater. IG: @olivia.kormos

  • Ana Montero (Set & Prop Construction)

    Ana is a Dominican actress with Turkish and Spanish roots. She began her artistic career singing, but then she would be seduced by the performance, to which she has been dedicated most of her professional life. Ana has practically worked with all Spanish-speaking theater groups in New York City. She is also a set builder and costume designer.

  • Emma Tattenbaum-Fine (Comedic Movement Consultant)

    Emma Tattenbaum-Fine is a writer, performer, and producer who appeared as host of HQ Trivia, improvising live in front of a million viewers internationally. She can be seen in Netflix’s Explained and has written comedy for Comedy Central and NYTW (penning jokes for Heidi Schreck, Tituss Burgess, Rachel Dratch, Lea DeLaria, Jeff Hiller, Jeremy O. Harris). She’s appeared in musical theatre productions at ACT of CT, Ars Nova, and Joe's Pub. Emma is the author of Trash Mermaid, an illustrated book of poems & stories. In 2023 Emma also co-created, produced and performed The Mister Rogers Variety Hour, a show that Time Out NY listed as among the weekend’s best NYC happenings. Read Emma’s latest stories & essays at EmmaTattenbaumFine.Substack.com, named a “Featured Substack of 2022.” IG: @emmatattenbaumfine Photo credit: Arin Sang-urai

  • McKenna Twedt (Costume, Consulting Producer)

    McKenna (she/they) is an actor, costume designer, and producer from Portland, Oregon. A graduate of Western Oregon University with B.F.A.s in acting and costume design, McKenna is committed to producing rarely seen or new works created by artists from across the human spectrum. McKenna currently works as a background actor for film and television as well as volunteers their time as a reader and theatrical production consultant. McKenna has worked with several Oregon companies including Third Rail Repertory Theatre, CoHo Productions, Theatre Vertigo and Ashland New Plays Festival, as well as their Off Broadway debut with the Rogue Theater Festival. IG: @mckennatwedt

  • José Ignacio Vivero (Set & Prop Design)

    José Ignacio Vivero is an Ecuadorian multidisciplinary artist, as well as a director, actor, puppeteer, stop motion artist, playwright, and musician. IG: productionspin Website: www.pinproductionscompany.com

  • Janani Sreenivasan (Director/Producer)

    Janani is the show’s director, producer, floating choreographer, music director and sound designer, composer of “Bottom’s Theme,” social media goblin, and many other roles. An Oregon native with parents from Tamil Nadu, India, Janani has directed and acted for the Tank's Rule of 7x7 festival and the Chain One-Act Festival, placed short films in the L.A. Comedy Festival and the Iron Mule Short Film Festival, and co-founded the long-running NYC improv band The Vigilante with Rebecca Vigil. Her jokes have been featured in Reductress and The New Yorker, and her short play "Get Leo" depicted her hunger for Leonardo DiCaprio to portray her onstage and was staged and published by the Bechdel Group. Nearly 25 years after first seeing Midsummer at the Oregon Shakespeare Festival, Janani is thrilled to reunite with several folks from her fall 2023 production of The Importance of Being Earnest to direct her first Shakespeare play. She hopes you laugh, cry, laugh some more, and leave the theatre asking “What the hell was that?” IG: jennyvasan

  • William Shakespeare (Playwright)

    He wrote the play, but we’re convinced he mostly stole it from Crazy Ex-Girlfriend.

ACKNOWLEDGMENTS

21 people worked directly on this show, but many more made it possible, including you for giving our actors your energy, laughter, and support.

It takes a forest — thank you to you all.

Benji Kahn for suggesting the play

Emma Tattenbaum-Fine for cheerleading it

Zachary Sherry, Julia Perlowski, Abigail Joseph

Sunita Deshpande, Piyali Syam, & René Zara

Philip, Drew, Rachel, & the Elsewhere Espresso crew

Milton Tabbot, Reed Dudley, and Ian Brady

Ritika Kaula for listening to everything

Erez, Martha, Cameron, Hadley, and the USM crew

Eileen at Backstage who helped me not break the site

Peridance and Gibney Dance Studio for airy space

David Soto and Piragua Art Space

Mark Shapiro & everyone in Advanced Conducting Essentials

Adair Moran, Shawn Bryant, Katharine Eastvold & Ken Lowe

Kendra Garnett, Isis Palma, Elias Morris, Anthony Castillo, & Amar Daulet-Singh

Uri Zerbib, Elijah Lawrence, and Jean Mary Zarate

Nicholas Troncoso, Erika Davis, Venky Vohra, Gabrielle Manna & Diego Millan

Cameron Park-Miller, Dana Winston-Day, Joyce Meimei Zheng & Sean-Edward Varner

Sonia Ahmed for material for Titania’s bed

Dan Wright, Adam Olkin & Nathan Ma for filming and capturing us

KT Turner, Gail DiMicco, Jennifer O’Reilly Mott & Kayley Bogdan

All the former colleagues in politics still fighting the good fight

Alice Ann Eberman & Kathy Lucktenberg

Dad for the support, & his dad for the love of Shakespeare & reading